Decherseys Stone and Paper

Dechersey put Jean Luc Chaumeil under oath in early 80s when he gave him these 44 pages and told him he could not release this until he died and then JLC had to wait 20 years to publish which he did in his book Rennes Le Chateau and Priory of Sion Mysteries an excellent read highly rec getting!!! Stone and Paper is dialouge between C~hARLOT AND mARY Magdelene AND IS One of Christ favorite writings which im referred to as See Harlot C~Harlot Definition of harlotry. 1 : sexual profligacy : prostitution. 2 : an unprincipled or immoral woman he sups tonight with a harlotry— William Shakespeare. I, ____, take you, ____, to be my wife (or husband), to have and to hold from this day forward, for better, for worse, for richer, for poorer, in sickness and in health, to love and to cherish, till death us do part, according to God’s holy law, and this is my solemn vow.
ANNEX III

From the Cross to the Treasure of the Great Roman

Circuit, by Philippe de Cherisey, is the story of a honeymoon in the Canaries. However, this trip finishes as a treasure hunt in Rennes-le-Château. Eventually, the author brings two young people, Marie-Madeleine (Mary Magdalene) and Charlot, face to face. He meets her in the Chapel of the Angels, in the church of Saint Sulpice in Paris, whilst she is taking a photograph of Eugène Delacroix’s fresco Héliodore chassé du Temple (Heliodorus thrown out of the Temple). They get on so well that, at some point, he lets out that he must be in Marseille the next day. As for Marie-Madeleine, she must go to Our Lady of Marceille, near Limoux. At their mutual stupefaction, they show each other half a banknote. In fact, they both had to meet up at our Lady of Marceille, in the Aude, to carry out a mission entrusted to them individually. Charlot had confused Marseille with Marceille.

On their trip in the High Valley of the Aude, they can finally compare the documents in their possession.

1) Charlot produces his document on horror-film background music. [See illustration of Large Parchment before chapter entitled “Stone and Paper”]

2) Marie-Madeleine produces her document on Mozartean harpsichord music, in a pop style, stopped by a clap of thunder and stormy weather. [See illustrations of the stele and tombstone of the Marchioness of Blanchefort before chapter entitled “Stone and Paper”]

Room 22 at the Hôtel des Thermes Romains in Rennes-les-Bains. Charlot is lying down and playing chess on a mini-chessboard in an air of profound disgust. He does checkmate; but having won with the whites and lost with the blacks, he is equally placed with himself which disgusts him even more. Marie-Madeleine is naked by the window.

Charlot – ‘Why send me to Marseille, when it is you who had the rest of the Victor Hugo?’

Marie-Madeleine – ‘The truth is that I also had to go to Marseille. It is after our meeting yesterday that I was told of the change and instructed to involve you today. But, admittedly, it is rather stupid to have given us documents that everybody knows about, in view of the fact that the Le Trésor Maudit de Rennes-le-Château was released by Julliard Publishers last year and recently in paperback format by “J’ai Lu” Publishers. Unless…’

Charlot – ‘Unless?’

Marie-Madeleine – ‘The important thing is not that these documents are public, but that we have been brought together to look at them here. In my view, we should acquire Gérard de Sède’s book, which must be selling around here like hot cakes, and follow the clues that it provides.’

Inside “Flamand”, the newsagent-hairdresser of Rennes-les-Bains, during daytime. The rain has stopped. Flamand is cutting Charlot’s hair and giving Marie-Madeleine a shampoo, going from one to the other.

Marie-Madeleine – ‘I am at page 110, which reads “The texts have indeed been encoded through a double-key substitution, followed by a transposition on a chessboard.” A very technical paper by Commandant Lerville, president of the “Association des Réservistes du Chiffre” (Association of Cipher Reservists).’

Charlot – ‘Let’s start with the chessboard. On my document, there are 128 letters, namely the contents of two chessboards
.’Marie-Madeleine – ‘On mine, there are 128 letters too many, which prevent its understanding.’

They take down the letters from their documents, in sequence, which Marie-Madeleine transcribes with red lipstick on the hairdresser’s mirror.

Namely,

(1) Charlot (2) Marie-Madeleine

CTGITNOB

LEMARIED

ENEGREDA

RLESDAME

DHAUPOUL

DEBLANCH

EFORTAGE

EDESOIXA VCPSJQRO VYMYYDLT POHRBOXT ODJLBKNJ FQUEPAJY NPPBFEIE LRGHIIRY BTTCVXGD

NTESEPTA

NSDECEDE

ELEXVIIJ

ANVIERMD

COLXXXIR

EQUIESCA

TINPACEP

SPRAECUM LUCCVMTE JHPNPGSV QJHGMLFT SVJLZQMT OXANPEMU PHKORPKH VJCMCQTL VQXGGNDT

Marie-Madeleine – ‘Commandant Lerville mentions further that errors have been introduced on purpose in order to send the reader on the wrong track.’

Charlot – ‘This serviceman is a joker as, on the contrary, the errors help discover the eight-letter keyword, namely MORTEPEE, from the eight spelling mistakes in my document.

Marie-Madeleine is surprised as she can only identify six mistakes. In fact, she does not know that the lady in question was called Negri d’Ables and not Negre Darles. They both rejoice for scoring two extra points over the computers of the Association of Cipher Reservists of Commandant Lerville. One only has to apply https://www.youtube.com/watch?v=Nnu1E5Kslig

MORTEPEE over one of the two texts, either of them. We select the text from Marie-Madeleine which from (2) becomes (3), as follows:

JRINOHXT JNFSDTQZ DEAMGFCZ CSCGGBSO SGNZVQOD BFIVKUNJ ZHZCNZXD OJMXBNLI ZKUXBDZJ XXIIUXYB EZABRCKZ GLCGEHRZ CMSIUURA DDDJXGPM JZUHHQZQ JGPBLEIZ

What Commandant Lerville calls a “second key” (double-key substitution) is also the “second keyhole”, which consists in applying to character set (3) the key formed by character set (1) which is likewise similar. Namely:

CDLUVEVL DEEIAEEN RELECIBE SEAOMTAH DAIAXRHS DPEECOCM GEMNDJEC ODIUMEIA XGPUCDEP RQDSFELE OAAISROL EDNEEGTX RINEEACU ETBPRRXE TAITTISA NNAPSLNX

Marie-Madeleine – ‘There is the double chessboard of Commandant Lerville which Gérard de Sède was not capable of explaining. So what?’

Charlot – ‘So what, Eleanor?’

Marie-Madeleine – ‘So what, Heliodorus?’

They are standing under the white horse of Saint Sulpice church.

Charlot – ‘You are a genius Marie. It is the most famous key of the secret alphabets, the one about the “Knight’s Tour” over a chessboard. It is a patience game that consists in making a lone knight leap over all the squares of a chessboard without passing once over the same square. Unfortunately, neither you nor I know this patience game, and even if we did, there are about one hundred solutions with which we would have to scrabble, which could take days, possibly months!’

Marie-Madeleine could weep over this.

Marie-Madeleine – ‘My kingdom for a horse.’

Charlot – ‘Fortune hard to find.’

Marie-Madeleine and Charlot are morose over lunch in the dining room of the Hôtel des Thermes Romains. It’s hopeless. The door slams three times with the wind. Irritated, Charlot gets up to shut it and comes to a standstill in front of the door; an Empire-style cabinet depicts an angel standing on a ball and brandishing a crown, accompanied by four bees.

Charlot – ‘The angel! The bees that form a cross! The Chapel of the Angels! Where is the church of Rennes-les-Bains? Where is the cemetery?’

Marie-Madeleine – ‘Over there, I think.’

Charlot – ‘Come!’

They arrive at the church and go through the cemetery where there is a superb lime tree.

Charlot – ‘The lime tree; we are getting hot. Between the lime tree and the church, there is a tomb for us.’ They discover the grave of Jean Vie mentioned page 125 of their paperback, which reads “Here rests Jean Vie, born in 1808, made parish priest in 1840, deceased on 1st September 1872. Pray for him.”

Charlot – ‘There it is, the chess game; 1808 to 1840 and 1840 to 1872, or 32 white years and 32 black years. Wait, wait; the cemetery, the passage with the crosses, the Way of the Cross in the Chapel of the Angels in the church of Saint Sulpice in Paris…What was written on the 7th Station? Was it “Jésus épuisé retombe”(Exhausted, Jesus falls down again)?

Marie-Madeleine – ‘I remember. It read “Retire-moi de la boue que je n’y reste pas enfoncé” (Pull me out of the mud so that I don’t remain stuck in it).’

Charlot – ‘That’s it; he is in the mud and we must get him out of it. ’

He digs the ground to the left of the grave, near the old stone decked with flowers, and discovers a strange copper plate, covered in verdigris, with a deeply engraved grid. It gives the circuit of the “saut du cavalier” (knight’s leap). After a rigorous cleaning in the river Sals nearby, Charlot applies the circuit to the text of the double chessboard previously mentioned, through which one can read:

BERGERE PAS DE TENTATION

QUE POUSSIN, TENIERS GARDENT LA CLEF

PAX DCLXXXI

J’ACHEVE CE DAEMON DE GARDIEN

A MIDI

POMMES BLEUES

Faced with that new problem, Marie-Madeleine becomes discouraged. Will the search never end? But now nothing can stop Charlot who cannot get his words out quickly enough. Poussin and Teniers are two painters who won fame with the “Shepherds of Arcadia” and “The Temptation of Saint Anthony” respectively. The shepherdess belongs to Poussin, in the same way that the temptation belongs to Teniers. If they can hold the key, it is because there is no longer a keyhole for that object, and that the parchments were not anterior to the Revolution and did not come from Antoine Bigou, but were from 1861, the era of the third painter.

Marie-Madeleine – ‘What third painter?’

Charlot – ‘The one with the horse of God that rears up over Heliodorus.’

Marie-Madeleine – ‘Delacroix?’

Charlot – ‘The citizen Delacroix, formerly Mr. de Lacroix.’

Marie-Madeleine – ‘But what about the pommes bleues (blue apples)?’

Charlot – ‘Think about another cavalier (knight, also gentleman), more recent, and his connection with apples.’

Marie-Madeleine – ‘Ma pomme (my face or head), c’est moi (it’s me!)!

Charlot – ‘You’ve got it; it is Maurice Chevalier.’

Marie-Madeleine – ‘But how can ma pomme be blue at noon?’

Charlot – ‘If it is lit up at noon by the light through a blue stained-glass window representing apples. It would not be any midday, of course, but that of January 17th in the Chapel of the Angels of the Saint Sulpice church in Paris; a midday that will give you an astronomical head.’

Marie-Madeleine – ‘Funny, except that there are no pommes bleues (blue apples) on the stained-glass window of the Chapel of the Angels.’

Charlot – ‘Are you sure? Shit, it’s too bad.’

Marie-Madeleine – ‘Wait! Yes, there were some when Delacroix came to inaugurate the chapel; the stained-glass window represented Adam and Eve expelled from Paradise because of a blue apple that the angel had thrown on the ground.  https://www.youtube.com/watch?v=kU8OJAOMbPg

tHIS stained-glass window had been mysteriously broken in 1900 and replaced the following year.’

Charlot – ‘Perfect.’

Marie-Madeleine – ‘What do you mean, perfect? If the blue apple is broken, what can we do?’

Charlot – ‘That the apple is blue or that the blue is an apple is irrelevant, since all that matters is for you to position ta pomme (your head) at the right place within the allocated time, and then look.’

Marie-Madeleine – ‘Look at what?’

Charlot – ‘The horse of God, namely that of Heliodorus thrown out of the Temple. From where you are, there is a detail that cannot be seen from anywhere else.’

Marie-Madeleine – ‘So, will we have to return to Paris?’

Charlot – ‘Something tells me that Heaven is on our side. Do you want a bet that your bad photograph was taken from the right place? In fact, the horse profile provides a geographic region, the map of Rennes-les-Bains and the itinerary for the treasure.’

Charlot and Marie-Madeleine are going through a rugged area. The landscape is marked by the contrast between the black rock and the white rock.

Marie-Madeleine – ‘And PAX DCLXXXI, what does that mean?’

Charlot – ‘If you translate this into Arab numerals, you obtain 681; a play between the golden number 1.681 and 1861, the date of the painting by Delacroix. Historically, 17th January 681 commemorates the arrival in Rennes-le-Château of the Rejeton Ardent (Ardent Kid), son of King Dagobert II, Lorraine’s survivor on the white horse of Merovaeus Levi. As for PAX, it is the inscription on the Labarum, “oriflamme” preserved in Saint-Denis, the scarlet flag that leads to victory.’ Marie-Madeleine – ‘Well, what shall I do?’

Charlot – ‘Wait here, or over there, at the place I marked with a cross on the map. In any event, I will find you.’

The landscape is rocky and thorny. Charlot strips to his underpants and, with just two watertight electric torches, climbs a rough slope on all fours.

Charlot – ‘Hello, explorers of Montferrand and of Cardou, diggers of tunnels in churches and cemeteries!’

After a last glance at the countryside, he crawls through a rocky crack called ‘catin’, which one could pass a thousand times without noticing, advancing through a narrow bottleneck. At the end of a rather short leg that seemed interminable, he reaches a junction in a cesspit. ‘Cellis or arcis?’ ‘Right or left?’ ‘Let’s go left, and long live the King’. Face down, he crawls through a whitish gunk with emanations that bring tears to his eyes and make him cough. After about thirty metres, the narrow passageway meets a smooth vertical wall where the previous dragoons carved a few notches in the rock. A little rivulet oozes from the sixth notch. Charlot nearly loses his balance, his knee hitting the stone harshly. Painfully, he reaches a solid platform at the top where, coated in white and with blood running down his leg, he advances looking like a limping ghost.

At an elevated vaulted crossroads in the middle of the platform, there is the tomb of the Great Roman. Two inscriptions on the plinth celebrate the one whose hermetically sealed lead coffin does not bear a single scratch. Charlot kisses the tomb. There is no sign of a treasure, other than some copper veins on the inner walls of the vault. Several caves plunge into depths that the ray of the torch cannot reach. There is a deadly passage under a collapsing vault; this is the right passageway that Charlot thanks Heaven for disregarding earlier.

The caves are flooded at knee level; however one can walk on all fours on a low narrow side wall made of tiles piled up on one another without cement. The ceiling is whitish and made of somewhat friable stone. Progress is slow. Charlot stops to get his breath back, switches on his second torch, and, to kill time, lifts a tile to see how tileries worked in the past. The tile is very heavy as it is made of gold, which transpires after scratching it with a nail. With such a tile, one can live comfortably for two years, and there are kilometres of the same, that is to say millennia of going on a spree. But to carry that tile on all fours when one is naked in the cold and one sees behind oneself the trail of blood that marks out the travelled route, is not fun; life is not fun anymore, bloody hell!

Charlot – ‘Bloody hell!’

The Echo – ‘Hell!’

He replaces the slab on the low wall, where he found it, and covers it up with dust, as he found it, then continues on his return journey through the cave until he finds himself back behind the tomb of the great Roman. The smooth vertical wall that was so difficult to climb seems vertiginous on the way down. Somewhat haphazardly, Charlot follows another passage and is rather satisfied by his choice on seeing daylight in the distance. However, to his horror, the cave that opens to daylight is the residence of the Great Roman’s sentries. These are corpses buried half way in a hole, brandishing their curved tile, like a cripple would brandish a leg-iron. These are people of different ages in death, as there are perfect skeletons amongst them, together with figures so well preserved by the atmospheric conditions that they resemble stars from the Grévin Museum. Charlot – ‘‘Terribilis est locus iste’

He infiltrates the dead, slips on a shinbone and falls, his head hitting a skull which separates from its trunk with a sharp snap. His hand looks for support and rests on a round object, a coin. The sun light falls in the cave which is dazzling under piles of diverse silver and gold plates. Here is the store of the multimillionaire little priest.

A torch is still lit. Charlot leans forward above the drop. Here death; in the distance, the beautiful ruin guardian of the sword; over there, down below, it must be the light-coloured dress of Marie-Madeleine, but she cannot see the ray of the torch in her back. One can shout, she cannot hear.

Retracing his steps inside the cave, Charlot notices a gallery which descends slowly. He crawls more than he walks. His eyes are burning and his breathing is more and more laboured. But then, he reaches a dead end. He screams, falls to the ground, screams again and faints. Marie-Madeleine heard the voice that seemed to originate from under a large stone. She clears some shrubs, small stones, and soil, and, with great difficulty, extricates this poor young Lazarus risen from the dead. She washes off the white coating, tends to his wounds, wraps him in the sleeping bag and gives him a tipple of rum. Thank you.

Marie-Madeleine – ‘The most beautiful girl in the world can only give what she has.’

Charlot – ‘Not true. She doesn’t give it, she lends it; I have lived, I know what I am talking about.’

Marie-Madeleine – ‘How much do you want to bet?’

Charlot – ‘Nothing, I am poor.’

Marie-Madeleine – ‘Wasn’t there a treasure?

Charlot – ‘Bloody hell!’
The Echo – ‘Hell!’
He replaces the slab on the low wall, where he found it, and covers it up with dust, as he found it, then continues on his return journey through the cave until he finds himself back behind the tomb of the great Roman. The smooth vertical wall that was so difficult to climb seems vertiginous on the way down. Somewhat haphazardly, Charlot follows another passage and is rather satisfied by his choice on seeing daylight in the distance. However, to his horror, the cave that opens to daylight is the residence of the Great Roman’s sentries. These are corpses buried half way in a hole, brandishing their curved tile, like a cripple would brandish a leg-iron. These are people of different ages in death, as there are perfect skeletons amongst them, together with figures so well preserved by the atmospheric conditions that they resemble stars from the Grévin Museum. Charlot – ‘‘Terribilis est locus iste’
He infiltrates the dead, slips on a shinbone and falls, his head hitting a skull which separates from its trunk with a sharp snap. His hand looks for support and rests on a round object, a coin. The sun light falls in the cave which is dazzling under piles of diverse silver and gold plates. Here is the store of the multimillionaire little priest.
A torch is still lit. Charlot leans forward above the drop. Here death; in the distance, the beautiful ruin guardian of the sword; over there, down below, it must be the light-coloured dress of Marie-Madeleine, but she cannot see the ray of the torch in her back. One can shout, she cannot hear.
Retracing his steps inside the cave, Charlot notices a gallery which descends slowly. He crawls more than he walks. His eyes are burning and his breathing is more and more laboured. But then, he reaches a dead end. He screams, falls to the ground, screams again and faints. Marie-Madeleine heard the voice that seemed to originate from under a large stone. She clears some shrubs, small stones, and soil, and, with great difficulty, extricates this poor young Lazarus risen from the dead. She washes off the white coating, tends to his wounds, wraps him in the sleeping bag and gives him a tipple of rum. Thank you.
Marie-Madeleine – ‘The most beautiful girl in the world can only give what she has.’
Charlot – ‘Not true. She doesn’t give it, she lends it; I have lived, I know what I am talking about.’
Marie-Madeleine – ‘How much do you want to bet?’
Charlot – ‘Nothing, I am poor.’
Marie-Madeleine – ‘Wasn’t there a treasure?

Charlot replies in the affirmative; he says that there was a dreadful one and a fabulous one, enough to sustain various empires, but, in truth, he’d rather die than touch it.
Charlot – ‘We will wait until someone from the rond de lis (fleur-de-lis circle) claims it or an honest Head of State turns up, which can happen sometimes.’
Marie-Madeleine – ‘But what about you?’
Charlot – ‘Free, loved by the most beautiful girl in the world. What else can one ask for?’
Marie-Madeleine – ‘I’ve already loved a lot.’
Charlot – ‘Then, a lot will be forgiven to you.’
Marie-Madeleine – ‘It’s a rumour that’s going round.’
Charlot – ‘Let’s run as fast as the rumour, my angel.’

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Big Foot 1970

What was so intriguing in this one? Well Rick;) is wearing gold jacket and Rick who is Christ has not seen his kids since may 13 2005 due to MM and a large army which wants Christ head on a platter~christ has lived job story been crucified bigtime in so many ways and is dead to kids a skull and to family and to humanity in tomb not known as black star as bowie knew and cocteau which is why his mural in notre dame shows crux scene and black sun as nobody would crucify christ if they knew who he was as if anybody knew christ would not crucify any human~ on 11/20/19 Christ had few weeks before just finally made contact with his son son of widow and on the day found this movie for first time and was watching it there is coyote scene howling at moon a symbol of MM at exact moment watching this son of widow sent his dad a text saying a coyote had run at him and he bout blew his head off and had picture of him with dead coyote~~at 109 min mark with cc on words come up YOU HEAR THAT as Rick and his crew were tied to crux and ya hear motor cycles coming and they arrive untie Rick and words can be read on screen: THERE WILL BE LOTS OF DEFENDERS NETANYAHU HAWK YOUR HERMIT THEY SAY ABOUT THIS~~ Christ was shocked since he has expected Netanyahu to twinkle recognize he is Christ and figured Kuduri who recognized me Nov 4 2003 had hopefully left the Rabbis my name which at this time seemed he didnt and has left it up to them to recognize as he did! Also after this happened Christ found gematria file in his fb group goldenfleece and true and invisible rosicrucian order by paul case and read it which christ nick name was 220 and 220 comes up in this file book along with getting your sight from hawk eagle and is about hermit 9 lantern passing the light son of widow and christ numbers are always same 2020 we are 9s me 54 and him 18 99 being ultimate initiation number as also girls birth dates are 5/4 and 7/9 the ages of christ and his mom 2020 54 and 79

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Devils Widow 1970

1970 the Devils widow was born 4/3 the day of crucifixion which took place 4/3/33 ad her and christ son is son of widow in masonic studies~~she is devils widow because she has made christ father to her kids a skull which is why in all mm painting she is in cave darkness which is lies she thinks are truths like all humans are enveloped concerning christ coming and appearing etc MM must repent and give the dagger up to Holy Father Christ she is mrs bruno a mirror image of bruno miracle as is 3rd secret mirror image of what is to come to pass in near future as saved will see son dance end day come and pass//

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Magdelene Possessed by Devil

https://www.youtube.com/watch?v=SDgrk6wss8w&t=781s The producer had to have known Charles Pierces Fauck Boggy Creek Monster 1972 was about Christ who would be hunted down even by his own wife as many of the modern prophets knew this would take place// this movie surely will play a big role in MM spitting the snake out which is mirror image of bruno miracle where bruno gives up dagger to holy father which mm WILL do when she twinkles and recognizes father of her kids is jesus christ when she will become saint athena the spear shaker who is mustard seed the angels birds make their nest in her tree//end of movie prof fauke sleeping under faucke monster blanket mm tries stab saved by dr stone soon after spitting the sanke out and dr stone rev 2;17 and mm leave happy walking by bird box with christ on crux~~~god is nailing mm to crux for doing his son like she has// nobody will traverse true door and not know what has transpired~~ram mars aires is kneeling RLC and the argonauts seek the goldenfleece to be hung on OaK//as all humans are sought for their goldenfleece a symbol of one who has traversed true door a true angel white stone new jerusalem city of revelation by john michell which is greek temple talked about by lovecraft as is atlantis cg jungs mysteruim coinjunctionis~~notice movie takes place on ash wednesday and the mark on crucified christ head is similar cthlhu mark~~bowie is portraying himself as christ watch ashes to ashes all his videos lyrics are intwined with christ story very perfectly and his man who fell to earth is master piece fits perfectly with christ story// 2020 MM spits snake out?? when this happens the immaculate conception setting of crown comabernice kids get their wings jesus job story ends christ appears to humans true door opens foundation new jeru is set ressurection and appearing all this is actually light being recognized//

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Eye of Devil 1966

https://www.youtube.com/watch?v=MLKsTbRU2wk   This film was made in south france~~whats so intriguing is Christ has had initiations memphis mezraim martinist order south france carnac Jean Luc Chaumeils where an ol 1100ad  temple has a short door with visica and christ surrounded by 12 in stone over door on jan 16th the light hits stained glass window which matches the stone visica over the door like perfect mirror image~~visica is like true door and is given details in book gematria where there is ab and ed line mentioned~~AT RENNES LE CHATEAU Gate to Heaven is also mirror image of true door who are angels being held by christ!!the angels are mother to christ kids the ram born 4/3/70 day of crucifixion which took place 33 ad /4/3 her mother is named bernice and she is exact twin mirror image of queen bernixe who cut her hair off save her husband from being killed~~the ab and ed line is made by christ girls who are the angels who can be determined which kid by colors of their robes and the girls names are ab and ed alisha brittney and emily danielle the other is son of the widow cole rivers cr who each make sep. sign of crux and words read by this sign we will conquer and christ was lead to holy mountain gate to atlantis in 2003~~david also plays in blow up where when he answers radio blue 4/3 blue 4/3~~anyways just one of 3 devil movies will be shown and fit with christ story in lots of ways//

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MY MAIN MAN NICOLAS POSSION HAYWOOOOD;))

http://www.latalkradio.com/Players/Rene-082912.shtml

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excellent to ponder these thoughts why we are here

VERY VERY INTERESTING!!!PLEASE READ
by Christian Rozencrux on Thursday, December 1, 2011 at 11:16am ·
By my Dear Friend Yaakov Ort
Explaining our traditions of who we are, and why we are here, is the purpose of this letter.

We need to begin with the Divine Motive for creating the world as we know it. The first and most important thing to be mindful of, now and always, is that the sole desire of the Divine Infinite One is to provide pleasure, contentment and bliss to every human being.

The purpose for the creation of both the Higher World (Heaven) and This World (Earth), and the reason for the descent of a Divine soul into every human body, has always been for all human beings to maximize the long-term pleasure and minimize the long-term suffering of their bodies, minds and souls while in this world, and to maximize the long-term pleasure of the body, mind and soul alike when we return to our Source in the Higher World.

We were meant to accomplish this by maximizing the pleasure, and minimizing the suffering, of humanity as a whole, of each individual whom the Divine Will places before us, and of every human being whose life we might be able to directly and indirectly influence and improve, including our own. By doing so, we fulfill the essential Will of the Divine Infinite One.

In order to accomplish this, every human being is created in the Image and Likeness of the Divine One.

Image refers to our divine capacities for Free Will and Creative Intelligence.

Likeness refers to the Will to, like the Divine, provide material and spiritual sustenance, pleasure, contentment and bliss to others and to ourselves, as an end-in-itself.

One may ask: If the Divine One only desired to provide goodness as an end in itself, why was the world not created in a state of perfection — with mankind only experiencing pleasure, contentment and bliss, and with no pain or suffering at all?

Answer is this: Of all the gifts that the Divine can provide to us, there is only one gift that truly cannot be given, even by the Divine. The impossible gift-to-give is the experience of pleasure, contentment and bliss that results when we have independently utilized our Free Will and Creative Intelligence to create something beautiful and good, and when we have done good to and for others.

A feeling of true accomplishment and the certainty that we have justly earned our pleasures and our rewards cannot be externally or artificially provided to us. It must be the earned result of our choices and our behavior.

To provide the background in which the joy of true human accomplishment can legitimately exist, the Divine Being created a world that is fundamentally good, but imperfect.

If the world were perfect, there would be nothing for us to do or accomplish. This imperfection is created by the slight but sufficient degree of randomness and chaos that is built into all of physical reality at a root level.

We are taught that in the beginning, all was Tohu (chaos) and Bohu (emptiness, unpredictability, randomness). Following the Divine creative process, a minute amount of this Tohu and Bohu remains in every element of physical reality, in order to create the opportunity for mankind to use its free will and creative intelligence to increase goodness and beauty throughout reality as a whole.

All of the pain and suffering that exists in this world is the result of these two distinct forces: The random imperfections of Nature, and the Free Will of Man. There is no supernatural force of Evil.

There are no demons, shades, malicious spirits or anything else of the sort, and there never have been. These are all fictions created by those who have sought to manipulate, rule and enslave others through the production and regulation of fear and anxiety —biochemical reactions that help to ensure survival, sex, and status.

To be sure, there are spiritual forces that exist in a multitude of dimensions, but they are entirely good, and can be called upon in our pursuit of goodness and pleasure.There are eighteen gates of pleasure and suffering within the human soul and personality that are the source of both the goodness and the harm that human beings are capable of creating.

The imperfections and random chaos in nature result in tsunamis, cancer, hurricanes, birth defects, drought, post-nasal drip, traffic accidents, spilt milk, stubbed toes, every form of physical and mental disease, and every kind of injury, deprivation and pain. When these events result in death and suffering, it is not because those who are affected deserve to experience pain, nor do these events occur as a punishment for things that its victims have or have not done. The Divine One does not work that way.

They are the random results of the necessary chaos that remains in a good but imperfect world. Or, they are the results of the actions of human beings who have freely and intentionally chosen to act out in a very harmful way. When a human being chooses to actively or passively harm others, neither the cause nor the results are a function of the Divine Will, but are solely the result of the free willed actions of human beings.

In order for there to be fairness and justice in a world of mostly innocent bystanders, the Divine One created a system of Justice that includes three elements: reward, withholding of reward, and compensation.

Reward: When a person uses his or her free will and creative intelligence to do good for himself or for others she or he is rewarded with physical, emotional, intellectual and spiritual pleasure both in this world, and following the death of the three-dimensional body, is rewarded with the unimaginable pleasures of the fifty-dimensional body in the Higher World.

Withholding of Reward: When one withholds his free will and creative intelligence, or uses it to create pain and suffering for himself or others, then a corresponding amount of his earned pleasures are withheld in the Higher World.

Compensation: For the victims of either Nature or of Man — and all of us are to some degree victims — all of the pain and suffering that we and our loved ones experience during this lifetime is compensated for by the addition of pleasures in the Higher World.

These eternal, Heavenly pleasures inexpressibly exceed the suffering and the loss of opportunity to do good that we undeservedly experienced during this lifetime.

There is a point where the suffering that one can willfully cause to others is so extreme that the withholding of reward requires the complete and final extermination of a soul. The death of the soul along with its human body is the only form of Divine punishment. Such a soul, referred to in the Bible as being “cut-off” simply becomes permanently non-existent. It experiences no awareness of its loss, and does not suffer.

Throughout human history most of mankind has failed to use its creative intelligence or its free will for the benefit of itself or others. To the contrary, we had made for ourselves a world of foolishness, barbarity, cruelty, narcissism and enslavement.

This, friends, is why we are here. It is to serve as leaders, guides and mentors to the human race. There are too many souls being cut off. There are too many victims of man’s capacity to be unaware of his higher purpose.

In short, the constructive partnership between human and Divine to improve an imperfectly created world enables us to experience positive and real accomplishment, to earn reward through that accomplishment, and to be compensated for the suffering caused by the fact that Nature and Man exist in a state of relative imperfection and free choice.

From every moment to every moment we make the choice to express or to withhold our free will, creative intelligence, and pure desire to give.

We ourselves are rewarded or not-rewarded with the pleasures of this world and the inexpressible pleasures and bliss of the Higher World on the basis of our primary choices, which initiate the long-term consequences of our thoughts, speech and actions. The most important task in life is therefore to be mindful of the long-term consequences of our thoughts, speech and actions, to ensure that they are designed to produce and enhance humanity’s pleasures, as well as our own, and to reduce suffering in any way that we can.

This was and remains our special mission. This is why we, and you, are here. To inspire and instruct our fellow men and women on how best to elevate themselves and the world, materially and spiritually, and for us to freely and fully enjoy all the pleasures of this world while doing so.
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ADDED BY ME:

Hatred does not cease by hatred at anytime: hatred ceases by LOVE~this is an old rule.
All that we are is a result of what we have thought: it is founded on our thoughts, it is made up of our thoughts. If a person speaks or acts with an evil thought, pain follows , as the wheel follows the foot of the ox that draws the carriage.
All we are is the result of what we have thought: it is found on our thoughts, it is made up of our thoughts. If a person speaks or acts with a pure thought, happiness follows, like a shadow that never leaves.

They who imagine truth in untruth, & see untruth in truth, never arrive at truth, but follow vain desires.
They who know truth in truth & untruth in untruth, arrive at truth, & follow truth desires.

The evil-doer mourns in this world, & in the next; mourning in both. How can one not mourn when seeing the evil results of their minds & hands at work???
The virtuous person delights in this world, & in the next, delights in both. How can one not delight & be in bliss, when looking at the purity and good results of such spoken work & actions???

The evil-doer suffers in this world & in the next; suffers in both. How can one not suffer when thinking of the evil been done??? & even more suffering by continuing evil path???
The virtuous person is happy in this world, & in the next; Happy in both. How can one not be happy when thinking of the good that was done??? & even more happiness on the good path???

Those who pass by^~~^

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